Author: davidagnewpenn

THE PEANUT GUY (Opening)

Framed photo on a mantle: a young bride and groom circa 1984.

JACK V.O.: They say the greatest day of your life is when you get married…

Next to it, a photo of the couple cradling a plump newborn.

JACK V.O.: … Or have kids.

EXT. THREE RIVERS STADIUM, PITTSBURGH, PA, 1992 — NIGHT

Jam-packed with Pirate fans, rooting on their beloved team.

JACK V.O.: Mine happened when I was 7.

In the upper decks, JACK BLYTHE, a chubby kid with a baseball glove, sits with his dad, whom we recognize from the photos.

JACK V.O.: We destroyed the Braves in game 6. ‘Nother win, we were in the Series.

INT. LIVING ROOM, MODEST HOUSE — NEXT NIGHT

Jack, his pop and two of Jack’s friends watch the game on TV.

JACK V.O.: With a 2-0 lead in the 9th, it was all but certain. But life, as I learned, throws you curveballs.

On TV, the Braves mount a furious comeback, ending in a 3-2 win, crushing the hopes of everyone in Pittsburgh.

JACK V.O.: After that, it all went south. We traded our skinny leadoff hitter…

A beefed-up Barry Bonds belts a home run for the Giants.

JACK V.O.: … Three Rivers was demolished…

A wrecking ball DESTROYS the stadium, a city landmark.

JACK V.O.: … And worst, my old man passed…

Jack’s dad lies in a coffin, wearing a full Pirates uniform.

JACK V.O.: … 30 years later, hardly anyone goes to the ballpark anymore. Except me. I never miss a game…

EXT. PNC PARK, PITTSBURGH — AFTERNOON

A handsome executive-type guy (37) catches a bag of peanuts.

JACK V.O.: … Yeah, no, that’s not me. I’m the pitcher, but the catcher…

Jack, now a portly peanut vendor, shuffles down an aisle. Sparse crowd, few thousand on hand. And who can blame them? Pirates are in dead last, losing the current game 9-1.

DAWGZ, A New Animated Feature

EXT. ST. PAWS HIGH SCHOOL — MORNING

Three geeky dogs shuffle towards the entrance: BINGO, a cute, puny Beagle; SKITTLES, a fluffy Sheepdog; and MAX, a mutt with a cone on his neck. Nervous, Bingo slicks back his fur.

BINGO: M-maybe I shouldn’t…
MAX: Smart.
SKITTLES: Wha- no! You said Hugo said she wanted you to ask her.
MAX: Since when are you friends with Hugo?
BINGO: I let him borrow my physics notes.
MAX: You got a D-
SKITTLES: Hey! Eye on the prize: Princess.
BINGO: (resolved) I’m gonna do it.
SKITTLES: Smart.

They tramp inside…

INT. HALLWAY, ST. PAWS HIGH SCHOOL

… At her locker, the most gorgeous girl in school: PRINCESS, a dolled up Pomeranian in a cheerleading outfit. Our guys halt in their tracks, 20 feet away. Bingo gulps.

SKITTLES: Go get ‘em, cowboy.

Slaps him on the back, pushing Bingo forward. He warily steps through the crowded hallway and approaches her. Skittles crosses his claws. Max ducks his head, afraid to watch.

BINGO: Uh, excuse me… sorry to, uh… I was just wondering, um… would you like to go to the prom with me?

Dead silence. Every student in the hallway gawks at them.

PRINCESS: I’d love to go with you, Benji…
BINGO: … Bingo…
PRINCESS: … If only you were cool, rich, and, ya know, semi-good looking.
HUGO O.S.: And taller.
PRINCESS: And taller.

Everyone SNICKERS. HUGO, a buff Siberian Husky in a football jersey, shoots a video of the rejection on his phone. Bingo, tail between his legs, plods back to his friends, crushed.

INT. CRAPPY CAR (FORD PINTO), MOVING — LATER THAT DAY

Bingo drives the heap with a cracked windshield. Max sits in the back, while Skittles rides shotgun, checking his phone.

SKITTLES: Whoa!
BINGO: What?
SKITTLES: You’re famous, dude!

Shows Bingo his phone: the video Hugo shot has gone viral.

MAX: More like infamous.

Eyeing the video, the car veers right & STRIKES a trash can, CONKING OUT. Garbage spills all over the hood. Silence. Then-

SKITTLES: Probably helps the Blue Book.

Bingo shoots him an icy glare.

How I Met My Soulmate During COVID-19…

(Originally published May 4, 2020)

I had an epiphany Friday night. Well, actually, epiphany is probably not the right word. An epiphany springs out of the blue. This particular insight has been bubbling below the surface for years now. So not an ‘a-ha!’ moment, per se. More like a ‘yep, I knew it!’ kinda thing. And Friday night’s Real Time removed any lingering doubts. Bill Maher is, indeed, my soulmate. If there was a nearby tree to carve ‘Bill + Dave’ into the bark, I surely would risk the outrage of my environmentalist neighbors to accomplish such a feat. But, alas, like my soulmate, I live in Los Angeles (with a far less glamorous, more populated zip code). Oh, and a note to friends and family: no, I’m not gay. I am not ‘coming out of the closet.’ Do people still say that, btw? It seems dated, like the word ‘Chicano.’ Now, I know- traditionally speaking, of course- that my soulmate should be a member of the opposite sex, roughly my age. Not a 64-year old bachelor. And his bachelorhood- and persistent attacks on marriage (and religion, for that matter)- is definitely part of the attraction, much to the dismay of my blue collar parents who will never cash in on their well-deserved benefits of being grandfathers and grandmothers. They would have been really good ones, too. Thankfully for me, I have an older brother who is also childless. So blame him, dear mama.

On the latest Real Time, Bill (as my soulmate, I call him Bill), pontificated on the necessity of a healthier lifestyle- yes, you can be healthy and smoke weed- and not resort to hiding in the aforementioned closet from ubiquitous germs. And, as usual, the man is right. Lethal viruses are, sadly, here to stay, as the prescient song described rock n’ roll in the 1950’s. The best strategy, therefore, is not to try to avoid them, but to build up an immunity system strong enough to keep the bastards at bay. It’s a teaching lesson that’ll not only vanquish this virus, but cure a slew of other ailments that plague us. Hell, fatty foods and sugary drinks alone kill more people yearly than a dozen Hiroshimas. And Bill’s not a ‘Johnny-come-lately’ (okay, I know for a fact no one says that anymore). No, he’s been pushing this discourse for years, blasting politicians who ignore this Gore-style inconvenient truth.

Soulmates, though, aren’t made on a single issue. If two people find Tiger King wildly entertaining (and, c’mon, who doesn’t?), that doesn’t mean they’re meant to mate for life. No, Bill espouses utilitarianism, a philosophy I’ve always been attracted to… sorta my Alyssa Milano of ideologies. Sharing the same birth year, I’ve adored her since her days as tomboy Sam Micelli to the political activist she is now. I even had her poster on my wall, the one with- wait, where was I going with this? Ah, yes. Utilitarianism. The concept’s pretty simple: the common good trumps individual rights. What seems obvious and natural to Bill and I, however, has virulent opposition- mainly on the far right side of the political spectrum. Round up the usual suspects: Fox News. Rush. And, well, anyone who dons a red MAGA hat. Do they make them in any other color, btw? I’d love to see one in pink… For these folks, the rights of each person trumps (even as a verb it’s cringe worthy) any government mandate. Sounds logical, right? Unless it’s abortion, of course. Then these sycophants of The Grand & Exalted Poobah perform a twist that would make Chubby Checker blush. Yep, that’s two references to 1950’s rock-n-roll in this lil’ ditty.

Bill and I (hmm, really liking the way that sounds). Yeah, so Bill and I also believe that the left- er, let’s just say Democrats- are way too soft and too scattered as a political party. Sure, distancing is necessary now, but coalescing behind one candidate- 100%, all in- is de rigueur for winning general elections. So, please, stop with all the pandering to fringe causes (elective surgeries in prison? Nice, Liz), unite the party, and kick this m-f’er and his genetically mutated offspring out of office. You see, Republicans know how to play the game. They always have, at least dating back to Nixon. Despite their issues with the candidate, they stand lockstep behind their guy (and it’s always a guy), even if they have to clench their collective nostrils doing so. They organize, they show up to vote- rain, sleet or snow be damned- and do their God’s honest best to suppress the other party’s vote. And they’re really good at it, too. Bottom line, the GOP knows how to seize power and hold onto the fucker for dear life. The Dems? The circular firing squad grows rounder- like our bellies during quarantine- and incrementally more deadly every election cycle.

Speaking of firing squads and elections, Bill and I both believe the upcoming one will not end well. And that’s putting it mildly. Armed Trumpers (and they’re always armed) are a dangerous bunch, to be sure. Hell, they make Pat Buchanan’s peasants with pitchforks seem downright pastoral. So here’s what’ll happen the first Tuesday in November: Trump will lose the election- both the popular vote (the sequel) and the electoral college. Will he graciously concede office like his predecessors before him? Unless you’ve been in a coma during his reign, you know that’s not gonna happen. The words ‘gracious’ and ‘concede’ were scribbled out of his dictionary as a child. No, he will contest the results. And then contest some more, all the way up to the Supreme Court if necessary, now conveniently aligned with his political beliefs. Rest assured, he will not go gentle in the good night. He’s been working the refs for nearly five years now, claiming voting irregularities and accusing Democrats of encouraging them. Sure, there’s been little to no evidence of any such shenanigans. The only concrete intel swings in the other direction, incriminating Trump and his dealings with Russia. But when have his supporters ever gave a damn about facts? Bill’s list of Trump’s dictatorial behavior is spot-on. The one not mentioned- and the most dangerous, by far- will be his refusal to leave the White House when he loses the election. The year that has brought us an apocalyptic virus that killed more Americans than the Vietnam war and systematically destroyed our economy will undoubtedly conclude with riots in the streets. This, my friends, is the good part of 2020, when we’re reconnecting with old friends and (more or less) coming together as a country. But darker days await, and it will have little to do with COVID-19, other than a rationale for alleged voting fraud. So what is there to do in all this? Well, I know Bill will be loading up on copious amounts of marijuana. That’s certainly a viable option. For the rest of us, I recommend that you take Bluto’s advice from Animal House and start drinking heavily.

p.s. call me, Bill:)

PHILLY GIRLZ COVERAGE from WeScreenplay (a Recommend):

OPENING THOUGHTS

Being from Philadelphia, a metropolitian area, I was already locked into the script from page 1 and what follows is the perfect blending of authenticity, taking the nuances and details that only an individual who knows the area would be able to get in there without feeling forced as well as creating an original and interesting story that feels accessible enough to non-east coasters who don’t understand the subtle quirks of Philly folks but also you do so much with this that it feels similar to the HBO series, Mare of Easttown, where it’s such a pitch-perfect representation of the area that people will really feel like they’re spending time in the east coast and in terms of successfully building a world, you only needed page 1 to successfully do this.

CHARACTERS

Kate Thompson – I love that you already have Kaitlin Olsen in mind here because that’s who I could only see playing this role to be honest. It feels like if you took Dee Reynolds character and amplified her to the utmost worst while also giving her an even greater sense of power and when she meets Shiela Reddick, it feels like the perfect pairing for a Dee Reynolds archetype. Sheila Reddick – If you wanted to really nail down a great 1-2 punch in the buddy cop genre, this is exactly the perfect 1B to your 1A in Kate. Perfectly embodies the culture and attitude.

PLOT

Starting off this story is a vividly depicted Eagles versus Vikings championship game a few years ago and this is the perfect hook not only for all the Philadelphia citizens who love seeing their hometown teams and city accurately depicted on screen but so many films of this nature have released and there is only a handful that I can think of, most recently 2015’s Focus with Margot Robbie and Will Smith and even there, the scene in question is a fictional depiction of a Super Bowl. When the story gets into the meat and these two have to begin working together, I was having the time of my life because of the buddy comedy antics, and these two seemingly different individuals have to try and work together. It’s pretty standard but the reason this genre has been around so long is the ability to morph into whatever is needed in order to best serve the characters and story, which this does extremely well. It’s really hard to deliver something meant to be comedic and keeping your tension and stakes feeling strong as well as you using themes of racism and overlooking preconceived judgments as well as the story feeling very timely and important without you feeling the need to jam it down our throats like it seems films like this will try and do. You’re extremely subtle in how to get your point across and just allow the story to develop and reinforce what you wanna say as opposed to preaching it. I really enjoyed how this story played out and well, just how funny the thing is.

STRUCTURE

This is a really tight-moving script that never feels rushed nor do I think there was anything missing. The story builds really well, pretty much injecting us right away into the story and I think your opening scene does a perfect job in not only setting up the overall narrative but both your characters are developed more in the first 10 pages than a lot of scripts or films do in their entire runtimes. The biggest thing you succeed at in your structure is your tonal consistency. This is a comedy through and through but you never break to have a joke land or use humor as a means to pull away from the stakes you’re presenting but the situation is enough to deliver on the comedic elements while landing on the dramatic side too and I think this is really evident in how well your ending works from a storytelling standpoint as well as a character one. Really fantastic work in terms of script structure.

DIALOGUE

The dialogue you write here is where most of the comedy comes from because these characters are in dangerous situations and because the people of the story are all based in Philadelphia and east coasters, just from my own experience, I think you nailed down the cynical and dry outlook especially when the bullets were flying. Kate and Sheila’s relationship is easily the best part in a series of incredibly fantastic things to say are the best but I feel like whenever those two were bantering at each other, I was locked in even more than the plot. I also think you really portray a spiteful relationship growing into something more meaningful and friendly through the dialogue.

CONCEPT

I love this concept from an objective scriptwriting standpoint because the heist film is such a fun concept that when the right writer executes on it, they’re always entertaining and fun but what really sends this one above is how much you really make this thing feel fresh because you’ve done so much work in making this feel unabashedly Philadelphia and that’s a unique hook because there aren’t too many heist movies with this concept narratively but also just literally setting it in Philadelphia gives it so much more of unique spin. I might be bias in my Philadelphia appraisal but honestly, if you want your story to stand out, setting your movie in a location where the place almost acts as another character is the way to do it

FINAL THOUGHTS

This is a terrific buddy comedy where the buddies aren’t actually buddies and even on two opposite ends of them until the very end ala any Shane Black screenplay. However, it’s your location and writing style that take this from fun servicable heist film to a really entertaining and sneakily as well as thematically rich screenplay that makes those from Philly feel like they’re home and those who’ve never been feel like they belong. Great work!

FALL RUSH Coverage

‘A funny and engaging comedy about a mother who learns to find her way after her marriage collapses and her daughter leaves for college. Emily comes through as a compelling protagonist whose emotional journey drives the story while also sparking lots of laughs along the way’… ‘One of the script’s strengths lies in how it establishes Emily as a powerful and proactive protagonist’… ‘On a story level, these rapid-fire exchanges maintain the scene’s dramatic tension and use conflict to convey each character’s goals and needs. On an audience level, these exchanges keep the viewer engaged and let them absorb the information they need to know.’

CAPITOL OFFEN$E FEEDBACK

Package: Full Coverage   

CAPITOL OFFEN$E by David Agnew Penn 

Page Count: 106  Genre: Comedy  Analyst: GC33  

Rating: Recommend  Score: 9.10/10 

CATEGORY SCORE PERCENTILE
Plot 9.00/10 (97 percentile)
Characterization 9.00/10 (97 percentile)
Concept 9.00/10 (100 percentile)
Format 10.00/10 (100 percentile)
Voice 9.00/10 (100 percentile)
Structure 8.00/10 (98 percentile)
Dialogue 10.00/10 (100 percentile)
Overall Weighted Percentile 99
Note: Percentiles are based on historical data of scores given out by this  analyst.

PHILLY GIRLZ COVERAGE: A RECOMMEND, 99%

OPENING THOUGHTS

Being from Philadelphia, a metropolitian area, I was already locked into the script from page 1 and what follows is the perfect blending of authenticity, taking the nuances and details that only an individual who knows the area would be able to get in there without feeling forced as well as creating an original and interesting story that feels accessible enough to non-east coasters who don’t understand the subtle quirks of Philly folks but also you do so much with this that it feels similar to the HBO series, Mare of Easttown, where it’s such a pitch-perfect representation of the area that people will really feel like they’re spending time in the east coast and in terms of successfully building a world, you only needed page 1 to successfully do this.

CHARACTERS

Kate Thompson – I love that you already have Kaitlin Olsen in mind here because that’s who I could only see playing this role to be honest. It feels like if you took Dee Reynolds character and amplified her to the utmost worst while also giving her an even greater sense of power and when she meets Shiela Reddick, it feels like the perfect pairing for a Dee Reynolds archetype. Sheila Reddick – If you wanted to really nail down a great 1-2 punch in the buddy cop genre, this is exactly the perfect 1B to your 1A in Kate. Perfectly embodies the culture and attitude.

PLOT

Starting off this story is a vividly depicted Eagles versus Vikings championship game a few years ago and this is the perfect hook not only for all the Philadelphia citizens who love seeing their hometown teams and city accurately depicted on screen but so many films of this nature have released and there is only a handful that I can think of, most recently 2015’s Focus with Margot Robbie and Will Smith and even there, the scene in question is a fictional depiction of a Super Bowl. When the story gets into the meat and these two have to begin working together, I was having the time of my life because of the buddy comedy antics, and these two seemingly different individuals have to try and work together. It’s pretty standard but the reason this genre has been around so long is the ability to morph into whatever is needed in order to best serve the characters and story, which this does extremely well. It’s really hard to deliver something meant to be comedic and keeping your tension and stakes feeling strong as well as you using themes of racism and overlooking preconceived judgments as well as the story feeling very timely and important without you feeling the need to jam it down our throats like it seems films like this will try and do. You’re extremely subtle in how to get your point across and just allow the story to develop and reinforce what you wanna say as opposed to preaching it. I really enjoyed how this story played out and well, just how funny the thing is.

STRUCTURE

This is a really tight-moving script that never feels rushed nor do I think there was anything missing. The story builds really well, pretty much injecting us right away into the story and I think your opening scene does a perfect job in not only setting up the overall narrative but both your characters are developed more in the first 10 pages than a lot of scripts or films do in their entire runtimes. The biggest thing you succeed at in your structure is your tonal consistency. This is a comedy through and through but you never break to have a joke land or use humor as a means to pull away from the stakes you’re presenting but the situation is enough to deliver on the comedic elements while landing on the dramatic side too and I think this is really evident in how well your ending works from a storytelling standpoint as well as a character one. Really fantastic work in terms of script structure.

DIALOGUE

The dialogue you write here is where most of the comedy comes from because these characters are in dangerous situations and because the people of the story are all based in Philadelphia and east coasters, just from my own experience, I think you nailed down the cynical and dry outlook especially when the bullets were flying. Kate and Sheila’s relationship is easily the best part in a series of incredibly fantastic things to say are the best but I feel like whenever those two were bantering at each other, I was locked in even more than the plot. I also think you really portray a spiteful relationship growing into something more meaningful and friendly through the dialogue.

CONCEPT

I love this concept from an objective scriptwriting standpoint because the heist film is such a fun concept that when the right writer executes on it, they’re always entertaining and fun but what really sends this one above is how much you really make this thing feel fresh because you’ve done so much work in making this feel unabashedly Philadelphia and that’s a unique hook because there aren’t too many heist movies with this concept narratively but also just literally setting it in Philadelphia gives it so much more of unique spin. I might be bias in my Philadelphia appraisal but honestly, if you want your story to stand out, setting your movie in a location where the place almost acts as another character is the way to do it

FINAL THOUGHTS

This is a terrific buddy comedy where the buddies aren’t actually buddies and even on two opposite ends of them until the very end ala any Shane Black screenplay. However, it’s your location and writing style that take this from fun servicable heist film to a really entertaining and sneakily as well as thematically rich screenplay that makes those from Philly feel like they’re home and those who’ve never been feel like they belong. Great work!

POLIO, PEDOPHILES & RAPISTS

I worked alongside a guy with polio- yes, polio– and a pedophile. The sad thing is, he wasn’t the only one in the room. Pedophile, that is. I’m pretty sure the older, stumpy gentleman in the cubicle next to mine was the only person alive who had fucking polio. The last person I heard afflicted with the disease was the legendary FDR, who boldly commanded our nation through the darkest days of the Great Depression and World War II. This polio victim hawked newspaper subscriptions over the phone, like the rest of us scoundrels.

Oh, yeah- there was also a rapist. One we knew of, anyway. I suspected a few other colleagues were guilty of the crime but had somehow escaped conviction. A hundred or so of us commission-only salespeople toiled in the dank, cavernous warehouse roughly the size of two basketball courts. The majority of employees were drug addicts of some sort who attended AA meetings with the alacrity of, well, a junkie. A good percentage of these folks had been incarcerated at some point in their lives. Yep, these were my peers. The guys I mingled with at the annual Christmas luncheon (El Pollo Loco takeout) attended ever so briefly by the septuagenarian owner, a self-made billionaire. Telemarketing is pretty much the shittiest job in the civilized world. It’s no surprise, then, the checkered past of my co-workers.

Along with the inordinate number of pedophiles- and, really, one is far too many- a motley assortment of oddballs filled the gray, lifeless cubicles. One memorable miscreant was a slovenly, ultra-conservative Marine in his sixties with an affinity for porn and, strangely enough, noise abatement. This chubby, bespectacled gentleman was a licensed pilot (or so he claimed) and his mission in life was to eradicate all laws that forbade his fellow aviators from flying in the wee hours of the morning. He believed this curfew- imposed by ‘goddamn liberals’- was directly responsible for at least one pilot’s death over the past few decades. Hell, he even wrote a book on it. During the week, he slept in the backseat of his ratty, piss-yellow 1984 Mercedes in the company parking lot. This maneuver saved him precious gas money on his hour-long commute to the boonies where his like-minded whackjobs resided. He subsisted off two foods: baloney sandwiches and chocolate chip cookies, which he judiciously rationed throughout the day.

Back to the rapist. Like the noise abatement avenger, he also happened to be a Marine. Early one Friday morning- during a special campaign with juicy leads for qualified salespeople – two uniformed cops shuffled into the room. Most of the telemarketers kept pitching, kept selling, adhering to the ‘always be closing’ mantra. I, for one, immediately hung up my phone- curious, if not stupefied, by the presence of the police. There were murmurs between the cops and the sales manager. Moments later, the sales manager beckoned a youngish, stout Marine, who was promptly escorted out the back door by the two policemen. I wondered what the hell had just happened. A close friend of the Marine happened to be seated in the cubicle next to mine. He uttered, in the most nonchalant manner possible: ‘Ah, he must’ve raped someone.’ As if it was the most natural thing in the world, like a pigeon taking a shit in a park. Of course he would get busted again for rape. Oh hum. Once again, for at least the millionth time in the past month, I wondered what the fuck had become of my once promising life.

Regarding the pedophiles- a sentence that should never be uttered, not even in impolite company- there was an accidental one and a purposeful one. Despite the disparate intentions, they both served time in jail. The accidental one was a wiry, goofy looking guy whose face resembled a catfish- whiskers and all. He had a terrible stutter that severely limited his sales ability. This impediment, however, did not dent his confidence. In fact, he was incredibly (read: delusional) optimistic. Though he never cleared 30 grand in his 40 plus of life, he boasted to everyone that he was going to be a billionaire. It was just a matter of time.

Apparently, this middle-aged, strange looking future Forbes 500 member responded to a Craigslist ad for an escort. The girl- and it was actually a girl– showed up at his apartment for a rendezvous. Well, the cops showed up and arrested him. She turned out, of course, to be under 18. And now, for the rest of his existence, the catfish billionaire will be branded as a sex offender. The only job he will likely qualify for is the shitty one I’m writing about here.

The other Megan’s Law violator was more deliberate about his deviancy. In a way, he fit the profile much more than the delusional stutterer. He was around the same age- early 40’s- but had a wholesome, sitcom dad from the Fifties look. Like many of the drug addled wannabes in the room, he was an aspiring actor. I caught him a couple times watching YouTube on his computer- episodes of Bones, I believe- and was creepily fascinated with a teenage girl on the show. It turns out, a few years later, he was arrested for downloading child pornography. I don’t know how long his sentence was- he can still (and should) be rotting in jail for all I know- but his mug shot is readily available online.

PHILL GIRLZ Strip Club Scene

EXT. TOPLESS BAR (’THE GOLDEN GOOSE’)

Seedy as hell. The Camaro roars into the parking lot.

SHEILA: Always wanted to see what goes on inside one a’ these.
KATE: Really? Not a big fucking mystery- losers who can’t get laid.
SHEILA: Well, today’s their lucky day.
KATE: (re: STD’s) Yeah, definitely taking the over.

INT. GOLDEN GOOSE

Even seedier inside: buffet of shitty food and a pool table. Rednecks ogle aging strippers on stage… Kate and Sheila amble in- they’re the only women, so everyone gawks at them… an old waitress picks up empty glasses with her flabby tits.

SHEILA: (re: food) Ooh, look at the spread.
KATE: That’s the shit prisons throw out.
SHEILA: They seem to like it.

Gestures to two guys scarfing down beef stroganoff- it’s Mikey and Brownie. They spot Kate and greet her.

KATE: Ah, Jesus Christ.
MIKEY: What the hell you doin’ here?
KATE: Me? What about you? I’m working, dickhead.
BROWNIE: (titillated) You’re a stripper?
KATE: Goddamn idiots.

Sheila looks Mikey up and down. Yeah, this could work.

SHEILA: Mmm, time for my entree.

BACK ROOM.

Middle-aged women with saggy breasts. Kate holds up an old photo of Nick taken a decade ago (it’s all she has).

KATE:… Anyone know this guy? Seen him around? Imagine him 10 years older.
STRIPPER: Whoa! He did NOT age well.
KATE: You know him?
STRIPPER: Whadda you, his wife?
KATE: God, no! PPD.
STRIPPER: Seen him in here a few times. Quiet type. Loves our chicken parm.
KATE: Well, sure. This place made the Michelin guide, three stars.
STRIPPER: (correcting her) It’s food, honey. Not tires.
KATE: Ever come in with anyone?
STRIPPER: Ugh, don’t get me started… one time he comes in with this black guy. Real charmer, ya know?
KATE: Eddie?
STRIPPER: You slept with him, too?
KATE: Wha- no! You’re really bad at guessing.
STRIPPER:… So I take him back to my place, end up loaning the asshole money. (explaining) He’s got a monster-
KATE: Yeah, yeah, I heard. Go on.
STRIPPER: Yeah, so, he gives me this necklace…
KATE: (thinking it’s cum)… Ohmigod…
STRIPPER:… Collateral, ya know. Says it’s worth like 10 grand or something. Next day? My wrist turns green.
KATE: Know where he lives?
STRIPPER: Just seen him in here.
KATE: Great. Fucking great.

O.s., the DJ spins a new tune: Nelly’s ‘Hot in Herre’

FRONT ROOM.

Sheila throws back a shot with Mikey and Brownie.

SHEILA: Ooh, this is my jam right here!

And RUSHES to the stage, chucking aside the stripper who was supposed to go on- She twirls around the pole, shaking her ass-
Guys hoot and holler, flinging dollar bills on the stage-
She stuffs the bills in her pocket-
Kate marches out from the back-
Stops in her tracks seeing Sheila.

KATE: Get your ass down here!
SHEILA: What, gonna arrest me? I’m already in jail, bitch!
KATE: Goddammit, don’t fuck with me!
SHEILA: I got me a ‘get outta jail free card!’… get some, Monopoly Man.

Shakes her ass in front of an old, portly pervert with a white mustache and top hat: a modern day Monopoly Man.
Kate leaps up on stage-
The crowd goes WILD, thinking it’s part of the show-
She grabs hold of Sheila, who slaps her hands away-
Kate yanks on her blouse, RIPPING it-
Mikey SPITS the beef stroganoff out of his mouth-
In SLO-MOTION, it flies through the air…
… Lands on a guy’s neck-
He whirls around and PUNCHES Mikey in the face-
Brownie picks up a chair and SMASHES it on the guy’s chest-
On stage, Sheila retaliates and RIPS Kate’s shirt off-
The crowd WHOOPS-
The frail owner calls the cops as fists and chair and food flies! It’s pandemonium-
A redneck cues up a pool stick, then STABS someone with it-
Another guy tries to pick up a table, but throws out his back (it’s nailed to the floor)-
The old waitress cradles a guy’s head, then titty boxes him, a vicious left-right combo-
Kate and Sheila wrestle on stage, rolling around, YANKING off one another’s clothes…
Just then, Andy and Berto dash in- they got the call. They gape in wonderment at all the chaos…
Berto goes to arrest someone, but Andy holds him back. Chill.

ANDY: Life moves pretty fast. If you don’t stop and take a look around once in a while, you could miss it.
BERTO: Ferris Bueller?
ANDY: Second greatest movie ever made.
BERTO: Guess that makes me Cameron.
ANDY: Sure does, buddy. Sure does.

And ducks as a chair SAILS past his head.