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My Day with Spicoli at the Democrat Convention

I was driving the rented Town Car somewhere between the Van Nuys airport and Staples Center- the venue of our destination, the Democratic Convention- bantering politics with President Clinton’s social director when the guy in the backseat leaned forward, his short, wiry frame a powder keg of displaced energy: “I think he should do a bunch of coke and give the best speech of his life.” He was referring to Al Gore and the fidgety man proffering advice was none other than Sean Penn.

It was 2000 and a friend of a friend worked as a White House page. He was in Los Angeles for the convention and one of his duties was to secure a driver for his boss, Marilyn, the well connected woman mentioned above. Being a political junkie- and having no employment to speak of- I quickly volunteered. On Wednesday morning, the third day of the convention, I left the posh Century City hotel in the rented Lincoln. Marilyn, her gaze rarely diverted from her Blackberry, rode shotgun. It was only when I turned onto Avenue of the Stars that she, fingers tapping on her phone, told me my mission.

I picked up the actor at his production company in Beverly Hills, then drove to the airport where he was to greet Al Gore on the runway. Sean wore a blue suit the color of a robin’s egg and sunglasses. He didn’t say a word the entire ride, though his leg never ceased to twitch, up and down, up and down, a coiled snake of suppressed rage that could strike at any moment. The purpose of the visit wasn’t for a media hyped photo op. Sean (yes, I call him Sean) sought an audience with Gore to discuss the Senator’s stance on the death penalty. After filming Dead Man Walking, Sean had become a fierce opponent of state mandated killings. And while he generally agreed with Gore on most issues, particularly in contrast to Bush, Sean hoped to convince the Presidential aspirant of his position.

After dropping my guests off in front of the main terminal- where they were promptly escorted inside by earnest campaign staffers- I parked the Town Car a block away. Shuffling towards the airport, a young volunteer approached me. “Are you Dave Penn?” Yes, I answered. She led me into the lobby, then barked out: “I have Sean Penn’s brother!” The sea of spectators, a few hundred or so, waiting for a glimpse of (hopefully) our next President, parted. It was impossible not to blush during those glorious few seconds as I weaved through the crowd… the admiring looks, the clicking cameras… I sat next to Sean on the makeshift veranda set up on the runway. As we waited for Gore’s plane to arrive, my attempts to converse with the actor largely failed. Only the suggestion of “wish we had some beers” elicited a grin, albeit a small one.

The next stop was Paramount Studios, where Sean was putting the final touches on his film, The Pledge. The feeling of celebrity washed over me again at the commissary. Even in a place accustomed to stars of the highest order, every eyeball shot multiples glances our way as the three of us ate lunch together. Afterwards, while Sean went off to his screening room (a movie theater, in essence, reserved for him), I sat with Marilyn and Sean’s producing partner. A distinguished, gray-haired man in his late 50’s, the producer possessed a Brahmin accent, giving away his patrician roots. They spoke intimately of the Kennedy family, waxing about the trials and tribulations of raising Ethel. Though I was clearly out of my element- to paraphrase Diane Keaton in Manhattan, “I’m from Allentown”- they never made me feel like an intruder, a gratitude that hasn’t dissipated to this day.

It was time to head to the convention. During the drive to downtown, Marilyn chatted on the phone with Tipper, occasionally breaking into fits of laughter. Upon hanging up, she described Mrs. Gore as ‘randy,’ a far cry from the stiff, Stepford wife portrayed by the media. We whittled away the time discussing politics, namely the awfulness of Republicans and (strangely) Chris Matthews, whom she thought treated Clinton unfairly. Sean sat in the back, head darting, leg twitching, on the cusp of chiming in, but remaining silent. The cobra, after all, is more intimidating coiled. We parted ways in front of the Staples Center, my duties as chauffeur over; another volunteer, supposedly, was to retrieve the car. Marilyn thanked me for my service, then handed me a ticket to the convention. Sean nodded at me- his way of saying ‘nice to meet you,’ apparently- then strode away, the gait of a man twice his size. I watched them disappear through a VIP entrance, chagrin at the thought that I’d never see them again.

That night, Bill Bradley delivered one of the most thought provoking speeches I’ve ever heard- warm, intelligent, replete with philosophical ruminations more familiar to a college dorm room than a stadium packed with 15,000 acolytes. Unfortunately for the New Jersey Senator, his oration lacked the all-important soundbite, perhaps an indication of his campaign’s failure. He was overshadowed by Ted Kennedy, who not only provided the nightly news with useful tape, but encouraged audience participation in his rah-rah speech. Conventions, I realized, were merely adult versions of frat rush parties, converting the converted.

I watched the spectacle in a private suite with a handful of congressmen and assorted politicos. Taking full- and needlessly aggressive- advantage of the open bar, I made the grave mistake of invoking Ralph Nader in my increasingly slurred tirades. Nader was bete noire to these folks, a potential spoiler in the election (Many still blame him for the loss, though I point to Gore failing to capture his home state). Yet I clamored passionately on Nader’s behalf- at least for his inclusion in the upcoming debates- much to the dismay of my fellow recipients of free booze. Finally, one of the friends of a friend warned me to cool it. I ordered another rum and Coke and listened silently to the rest of the charade.

After the convention, seemingly the entire crowd trekked over to the Paramount lot (twice in one day!) which was now decorated in a Mardi Gras motif. The bash was hosted, fittingly enough, by Louisiana Senator John Breaux and couldn’t have been more debaucherous if held in the Big Easy itself. Once again, food and drinks were gratis. Despite my relative youth, I was asked- by attractive women, no less- if I was a delegate. More offended than honored, I replied emphatically in the negative. Instantly, their interest waned. In hindsight, I should have lied. Even if I was discovered to be a fraud, the act of deceiving to gain advantage would hardly have been frowned upon at a political event.

That night, like more than a few drunken escapades over the years, ended at Denny’s. It was 4 in the morning and my friends of a friend were engaged in a heated debate. The topic was Giuliani and his controversial mayorship. More pointedly, do the means justify the ends? After repeated reprimands from the waiter, we were asked to leave. While countless patrons, surely, have been expelled from Denny’s, we may have been the first booted for political banter. The sun was rising as I slumped on a bench, waiting for the bus to take me home. Nodding off, I thought of Sean Penn in his powder blue suit and smiled. If only I had a bunch of coke right now.

FALL RUSH ‘Naming the Sorority’ Scene

EXT. BACKYARD, COLONIAL HOUSE — NIGHT

Emily and her friends quaff margaritas, in high spirits. Emily’s on her laptop, searching for something.

BECKY: You have any idea how dorky we are right now? We are literally Googling the Greek alphabet.
EMILY: Ooh, I like pi.
BECKY: Pi’s good.
MIA: Eh, too many carbs.
DOTTIE: You know it’s not food, right? It stands for 3.14-
BECKY: Dude, don’t harsh the buzz.
EMILY: Um, okay, definitely not mu.
BECKY: I think we can all agree on that.
EMILY: Beta.
MIA: Eww, like Betamax? Swipe left.
DOTTIE: Kinda appropriate, though. Just saying.
EMILY: Alpha?… Alpha’s not bad.
BECKY: Too guyish. (burps loudly) Alpha male, alpha dog…
MIA: I’ll swipe right on pi, but we need something cool to balance it out.
EMILY: Delta?
MIA: Ugh, like the airline? Hell, no!
DOTTIE: Well, actually, it means… (off Becky’s glare) Screw you guys.
EMILY: Omega?
MIA: Yes! Boom!
DOTTIE: How is that a boom?
MIA: Uh, Omega-3’s. Duh.
EMILY: I don’t really know what that is.
MIA: No one does! Who cares? It’s healthy.
EMILY: Hmm, ‘Pi Omega.’
BECKY: That’s not terrible, actually.
DOTTIE: Pecan pie and fish oil.
MIA: Sort of a ying yang kinda thing.
DOTTIE: Did you say ‘ying?’
EMILY: Ooh, I gotta call Linds.
BECKY: Uh, you might wanna wait on that.

Too late. Thrilled and tipsy, Emily calls Lindsay…

EMILY: Oh- hey! You answered. Guess what? We’re starting a sorority!
LINDSAY V.O.: You’re… what?
EMILY: I texted you I was going back to school.
LINDSAY V.O.: Weird but understandable.
EMILY: Well, it’s a long story- I’ll tell you later- but… Becks and the girls, we’re gonna start a sorority. Isn’t that awesome?!
LINDSAY V.O.: Not the word that comes to mind.
EMILY: Hey, so, whaddya think would be a cool name? We’re thinking Pi Omega.
LINDSAY V.O.: Hmmm… how do you say ‘mid-life crisis’ in Greek? I’d go with that.

And just like, Emily’s exuberance vanishes. Poof. Becky grumbles, wishing she hadn’t made the freaking call.

FALL RUSH Receives a Recommend in Coverage

‘This is such a fun concept and a very enjoyable read. It’s a way more inclusive and modern The House Bunny and a memorable concept through and through… The characters are lovable and relatable. This especially applies to Emily. Her story is one that many women can relate to. She put everything on hold to be there for her family and completely forgot herself in the process. Her goal is clearly established, and it’s so easy to root for her…. The rest of the characters are equally well-crafted and likable. All of them have distinct personalities and are authentic. The dialogue is well-written and easy to read. The language chosen fits the story and the genre nicely… There are quite a few memorable lines that made me laugh out loud, and I can assure you that doesn’t happen very often. It’s a testament to your dialogue skills. The overall tone is fun and unique. We can hear your voice as a writer come through perfectly and it’s so much fun.’

CAPITOL OFFEN$E opening

EXT. PALATIAL ESTATE, RURAL NORTH CAROLINA — NIGHT

Like the opening of Citizen Kane (we’re in black and white,
folks) an imposing, wrought iron fence protects a massive
property. Posted on the gate, a menacing sign: NO TRESPASSING

Behind the fence, a colossal palace surrounded by endless
fields of tobacco plants. Over this, a 1940s-style narrator:

NARRATOR V.O.: … Legendary tobacco king Duke Bentson in the battle of his life, fighting the scourge of cancer…

INT. BEDROOM, PALATIAL ESTATE

DUKE BENTSON (70), white-haired and deathly ill, lies in bed,
clenching a snow globe with a miniature White House inside.

NARRATOR V.O.: … He amassed his fortune for one reason and one reason only: for his son to become President…

Duke shakes the globe. Instead of snow, dozens of tiny $1,000,0000 bills fall. He grins at seeing all the money.

NARRATOR V.O.: … His firstborn, John Junior, was certain to carry out that destiny- Harvard grad, military officer…

The globe slips from his hand as he utters one word: ‘power’

NARRATOR V.O.: … But he was killed in that terrible war in Grenada. So the obligation fell upon his second son, Jack, who nearly fulfilled…

The globe SHATTERS on the floor. The bills settle atop the smashed White House, blanketing it.

NARRATOR V.O.:… His father’s wish, narrowly losing his bid for the White House in a hotly contested primary. He now serves as Vice President, one step away from the Oval Office.

Duke gasps- his final one?- then his eyes close.

EXT. COURTYARD (‘THE LAWN’), UNIVERSITY OF VIRGINIA — DAY

JACK BENTSON (40s), a folksy Southerner with a lot of little boy in him (think Will Ferrell) gives a speech to the graduates. He’s confident. Commanding. Presidential.

JACK: … There’s an old saying in Virginia- I know it’s in Carolina, it’s probably in Virginia- that says early to bed, early to rise, makes a man healthy, wealthy and…

He’s suddenly flustered. Glances around, looking for his trusted adviser… he’s nowhere to be found. Awkward silence.

JACK: Mize. (nailed it) Makes you Johnny Mize. And in the end, isn’t that what we all want?

The students gawk at one another, befuddled.

INT. FRATERNITY HOUSE, UNIVERSITY OF VIRGINIA — NIGHT

Sleeves rolled up, Jack has an intense look on his face. He plays a heated game of flip cup with a bunch of coeds: it’s an even match and he’s anchorman.

JACK: We got this, guys! Let’s focus.

The cute, busty blonde next to him flips her red Solo cup. Jack chugs his beer and plinks the cup over on his first try.

JACK: YES!!!

He celebrates with his teammates. Swept up in the frenzy, Jack goes to chest bump the blonde- she whips back, whoa!

JACK: Sorry.

One of the drunk frat boys captures the scene on his phone.

INT. ELEMENTARY SCHOOL, NORTH CAROLINA — DAY

Jack reads a children’s book to a class of first graders. A SECRET SERVICE AGENT (30s, Black, fit) whispers into his ear. Jack’s face sours- some horrific tragedy just occurred.

JACK: Can I finish this real quick? Dying to see how it turns out.

The agent stares him down.

EXT. AIRPORT RUNWAY, NORTH CAROLINA — AFTERNOON

Jack steps onto the ramp of Air Force Two.

REPORTER: After all your recent blunders, are you concerned the President might replace you?

Jack snorts. To the secret service agent at his side:

JACK: That guy’s a total douche- bag, nozzle, and the box it came in.

SECRET SERVICE AGENT: Uh, we’re still live.

JACK: Let’s edit that out.

And strides onto the plane.

INT. FIVE-STAR HOTEL ROOM, PARIS — NIGHT

BOBBY ‘HIT MAN’ HEARNS (40s, Black) watches a news report of Jack’s miscues. A former street kid, Bobby’s a natural born hustler turned political adviser (think Kevin Hart).

BOBBY: Fuck, fuck, fuck, fuck, fuck! Leave for one week…

His girlfriend, ELLE (30s), a sexy, Latina socialite, sashays out of the bathroom in a slinky black dress.

ELLE: Don’t know why you’re so surprised- can’t open his beer without you.

BOBBY: Seen him open plenty, believe me.

ELLE: Face it, guy’s a total loser.

BOBBY: Hey, c’mon, don’t say that.

ELLE: You backed the wrong horse. He was in my stable, I’d shoot him.

BOBBY: Owe my whole career to him- his dad, anyway.

ELLE: Shoulda worked with Peters when you had the chance.

BOBBY: Yeah, right. Guy who had his wife killed to win an election.

ELLE: That wasn’t proven and you know it.

BOBBY: Campaigned against him for two years. Trust me, he’s the devil.

ELLE: Yeah, well, that devil’s in the White House.

BOBBY: Say what you will about Bentson, gotta admit, he’s a good man.

ELLE: Only if you admit he’s a loser.

BOBBY: He was the most popular governor- ugh, let’s just drop it.

She studies him, dressed in a black T-shirt and blue jeans.

ELLE: Not gonna wear that tonight, are you?

BOBBY: Guess not.

Slogs to the closet as she ogles the hunky TV reporter- yum.

PHILLY GIRLZ opening

Title: NFC CHAMPIONSHIP GAME, JANUARY 2023

EXT. PARKING LOT, LINCOLN FIELD, PHILADELPHIA — EVENING

Frozen tundra. Six frostbitten Eagles fans swill cans of shitty beer as they watch the football game on a 13-inch TV.

The lone woman: KATE THOMPSON (40s, think Kaitlin Olson), a Philly detective who could outdrink and outcurse any Jersey truckdriver. Eagles jacket on, her face is painted green.

KATE: Let’s do our toast: to pop…

They all raise their beer cans. Belt out their dad’s creed-

THE TAILGATE CREW: Fuck the Cowboys!

Guzzle their brews as two ARAMARK workers in ski masks- one tall, one short- amble past. A chubby, baby-faced security guard leads them into the stadium. His nametag reads JERRY

INT. BACK OFFICE, CONCESSION STAND — 10 MINUTES LATER

… SHEILA RIDDICK (40s, think Tiffany Haddish) a slender, Black vendor stacks bags of money onto a cart. Streetwise on the surface, Sheila’s a hopeless romantic at heart.

She pushes the cart out of the back office, a look of pure dread on her face, like a P-O-W. Something’s wrong here.

Jerry and the two ARAMARK workers await her. A cop tramps by. Sheila wavers, hoping the cop stops- but he treks along…

SHORT ARAMARK GUY: (under his breath) Trust me.

… Figuring she can’t back out now, Sheila flashes a flirty smile- these two know one other- and passes him the cart.

EXT. PARKING LOT, LINCOLN FIELD — 5 MINUTES LATER

The two guys swiftly push the cart towards a white ARAMARK van, past our group of tailgaters. Kate studies the guys…

Notices details no one else would: the ARAMARK logo on the van is a decal, not paint. And the uniforms look official, but they’re replicas. These at not ARAMARK employees.

She bounds to her feet, clenching a beer can.

KATE: Hey! Stop right there- PPD!

The guys heave the cart into the van and hop inside… Kate DASHES toward them as the van SPEEDS away-

BARRELS OVER a beefy man in a 49ers jacket. The tailgaters witness this. Stunned silence. Then, an explosion of CHEERS!

49ERS FAN: (gasping) … Someone call 9-1-1…

The van BOLTS out of the lot. Kate grasps her phone and dials as she DARTS past the wounded fan, splayed on the pavement.

49ERS FAN: … Thank you…

DISPATCHER V.O.: Hey, Thompson! You at the game?

KATE: (into phone, all business) Oh-300 in progress. White Aramark van heading south on Pattison.

Just then, the crowd ROARS. The entire stadium SHAKES.

DISPATCHER V.O.: Woo-hoo!!! Touchdown!!!

Kate gapes at the fleeing van, pained. Crushes her beer can. Plods back to her crew as the 49ers fan staggers to his feet.

49ERS FAN: … Ya know, I-I think I’m okay…

Kate PUNCHES him in the face- knocking him back on his ass.

KATE: Niners suck.

Philadelphia Inquirer headline: ‘WE WIN!!!’ On the bottom of the front page, in small font: ‘Lincoln Field Robbed

HEISTING THE CUP Receives a Recommend in Coverage

Heisting the Cup is a genuinely funny, well-composed comedy film that benefits from the writer’s ability to carefully construct an engaging narrative around dynamic characters while weaving humor in. The film has a great structure with characters dimensionalized by their inclinations and motivations. This film feels like a love letter to Philly with Charlie being both flawed and disarming enough to make the audience root for him.

CAPITOL OFFEN$E Assasination Plot Scene

EXT. PARK, WASHINGTON, D.C. — NEXT DAY

Jack and Bobby sit on a bench, trying to look inconspicuous in their trench coats, fedoras, and sunglasses. They both hold newspapers: Bobby, a NY Times; Jack, a free XXX rag.

BOBBY: Wanna get caught? Spend your life in prison? We can’t be seen together- not at home, not the office. And we sure can’t talk about it on the phone.
JACK: We look ridiculous.
BOBBY: Speak for yourself, I look good.
JACK: So what do we got so far?
BOBBY: Obvious ones- poison, bomb, explosion of some kind.
JACK: How ‘bout a knife?
BOBBY: Tough to kill him.
JACK: Rope.
BOBBY: What, like the mafia?
JACK: Lead pipe.
BOBBY: Eh.
JACK: Candlestick.
BOBBY: (a beat) Are you naming Clue pieces?
JACK: You can learn a lot from a family board game.
BOBBY: Jesus, Jack.
JACK: Hitler played Risk. (Bobby sighs) From the suggested age of 8 and up.

Speaking of 8-year-olds, a tour guide leads a Cub Scout troop past them, lecturing on the wonders of democracy. Jack and Bobby wave to the boys. Thinking they’re pedophiles, the tour guide hurries the Scouts along.

BOBBY: You know the President, you been to his house. What does he like?
JACK: Fine china.
BOBBY: How does that possibly…
JACK: Princess Di commemorative plates. (big) Franklin Mint.
BOBBY: Something we can use, something-
JACK: He likes 20-year-old scotch.
BOBBY: Who doesn’t?
JACK: And 20-year-olds.
BOBBY: (perks up) Girls?
JACK: Preferably with the scotch.
BOBBY: You serious right now?
JACK: Oh, yeah. He makes Clinton look like a…

Wracks his brain, trying to say ‘teetotaler.’

JACK: … Tee-tote….
BOBBY: Jack, you beautiful bastard!
JACK: … Uh, tee-tot…
BOBBY: We got our in.
JACK: … Tater tot… (nailed it) Makes him look a tater tot.

A policeman swaggers past. Jack and Bobby sit upright and straighten their clothes. The cop eyes them suspiciously.

BOBBY: Okay, okay. Anything else you can think of?
JACK: He hates clowns.
BOBBY: Everyone hates clowns.
JACK: And babies.
BOBBY: Really?
JACK: And bunnies. And pandas. And peanuts. And-
BOBBY: Peanuts?

JACK: That’s what you took from that?
BOBBY: Wait- does he not like them or is he allergic?
JACK: What’s the difference?
BOBBY: Us sleeping on this bench or napping in the Lincoln bedroom.
JACK: I do like naps.
BOBBY: If he’s allergic…
JACK: (realizing) … We could frame Mr. Peanut.
BOBBY: Exactly.
JACK: So pretentious with his cane and monocle. Like to take a fork and-
BOBBY: (beaming) Think we found our weapon.
JACK: Fork?
BOBBY: Peanut!
JACK: Frankly, I prefer the candlestick.
BOBBY: Next time, awright?
JACK: Promise?
BOBBY: You have my word, Jack. Next time we plot to assassinate a public figure, we’ll use a candlestick.
JACK: Thank you.

A guy dressed exactly like Jack and Bobby strolls past; there’s a good chance he has nothing under his coat.
He nods hello to Jack and Bobby- after all, they’re his peers. Jack and Bobby realize they look like perverts.

JACK: We should probably…
BOBBY: Yeah.

They spring off the bench. O.s., boys SHRIEK as the guy in the trench coat exposes himself to the Cub Scouts.

HEISTING THE CUP Receives a Recommend in Coverage

Heisting the Cup is a genuinely funny, well-composed comedy film that benefits from the writer’s ability to carefully construct an engaging narrative around dynamic characters while weaving humor in. The film has a great structure with characters dimensionalized by their inclinations and motivations. This film feels like a love letter to Philly with Charlie being both flawed and disarming enough to make the audience root for him.

HEISTING THE CUP: A comedy about stealing the Stanley Cup

INT. WELLS FARGO ARENA, PHILADELPHIA — NIGHT

Game 7, conference finals. Flyers up 3-2, 10 seconds left. The raucous crowd BELTS out the final ticks of the clock…

A rabid fan in the rafters, CHARLIE SULLIVAN (30s), short and bearded, grabs a mini bottle of rum from his torn tube sock and slugs it down. He sports a Flyers jersey with ROSKI on the back. In a Sharpie, an F is scrawled in front of ROSKI.

ROSKI, now playing for the Rangers, skates across center ice… weaves between two defenders. Three seconds left…

Dekes a shot, then dashes toward the goal… a Flyer HIP CHECKS Roski as he winds up for a shot- the clock reads 00:00

Fans ERUPT! On the ice, Roski writhes in pain- like he just got impaled by a rusty pitchfork. A whistle BLOWS. The ref calls for a penalty shot. Roski leaps to his feet, grinning.

Crowd SCREAMS bloody murder. Charlie THRUSTS both middle fingers at the ref. Next to him, VICTOR (30s), a dapper Black man wearing chic clothes, checks out the girls in the stands.

Tense silence. Roski’s at center ice. He takes the puck and glides towards the goal… fakes left, shoots right… GOAL!

Fans BOO. Charlie CHUCKS empty airline bottles of booze at the ref, one after another… ping. Text from KATE: ‘Pick me up a hoagie?’ Charlie groans, shutting off his phone.

Victor checks his cell: his bet on the Rangers still alive.

EXT/INT. BARS ACROSS PHILLY

… Entire city’s glued to the TV, awaiting overtime…

INT. WELLS FARGO ARENA — 15 MINUTES LATER

Overtime starts. Roski wins the faceoff… passes to his left wing, who dishes it back… Roski winds up for a slapshot…

And CRUSHES it, burying the puck in the back of the net. Noooo! Philly’s had heartbreaks before, but none like this.

Cups and cans and everything not glued down RAIN DOWN onto the ice. The refs and the Rangers scurry to the locker room. All but Roski, who soaks in the hate, flipping off the crowd.

Out of things to throw, Charlie yanks off a sneaker, but Victor stops him- chill, bro. Charlie heaves a heavy sigh.